![]() MPE deploys a similar multichannel approach so that notes can respond independently to channel-based MIDI control messages.īecause DP MIDI tracks can now record data from multiple channels, there’s no longer any need to create a track for each channel – you simply set the output of the target device to “ any.” Rhizomatic Software’s Plasmonic proved to be a perfect pairing for my MIDI guitar and DP’s Multi-Channel MIDI tracks, as did UVI Falcon and Spectrasonics Omnisphere. Those of us who play MIDI string instruments relied on MIDI Mode 4, a setup that allows data such as pitchbend to be issued independently from each string. Prior to version 11, DP MIDI tracks were strictly one MIDI channel per track, so using MIDI Polyphonic Expression required a bit of hoop-jumping – as did setting up tracks for MIDI guitar or other multichannel controllers. Here are some of the notable updates in DP11. But in my (highly controversial) opinion, none has done so with the craft, creativity, and depth of DP. To be sure, most of the other software packages have proceeded apace. ![]() We even have virtual recording studios as plug-ins within our virtual recording studios! ![]() Being a modern-day DAW, DP11 hosts racks of synthesizers, MIDI and audio processors, it syncs to picture, has music notation, compositional tools… so much more.
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